{"id":6395,"date":"2020-10-12T13:26:04","date_gmt":"2020-10-12T12:26:04","guid":{"rendered":"https:\/\/www.sonarworks.com\/soundid-reference\/blog\/?p=6395"},"modified":"2020-10-12T13:26:12","modified_gmt":"2020-10-12T12:26:12","slug":"logic-audio-creative-mixing-with-subgroups-and-masters","status":"publish","type":"post","link":"https:\/\/www.sonarworks.com\/blog\/learn\/logic-audio-creative-mixing-with-subgroups-and-masters","title":{"rendered":"Logic Audio: Creative Mixing with Subgroups and Masters"},"content":{"rendered":"\n<p><em>In our article \u201c<\/em><a href=\"https:\/\/www.sonarworks.com\/soundid-reference\/blog\/learn\/take-advantage-of-busses-and-subgroups-for-great-sounding-mixes\/\"><em>Take Advantage of Busses and Subgroups for Great Sound Mixes<\/em><\/a><em>,\u201d we cover the applications for mix and aux busses and how to create them in Pro Tools. Here you\u2019ll learn how to apply the same techniques in Logic Pro X.<\/em><\/p>\n\n\n\n<h2>Creating Master Faders and Mix Busses<\/h2>\n\n\n\n<p>A <strong>master fader <\/strong>processes the entire mix for the final \u201cglue\u201d or tonal shaping and also for the final fade-out. Logic automatically creates a fader labeled \u201cMaster,\u201d which is not really a standard master fader, but a <strong>VCA fader <\/strong>(see the VCA sidebar at the end of this article). It controls the levels of all the physical outputs on multi-output interfaces. It is a great way to make adjustments, for example, to all outputs at once when working in surround. When working in stereo, this <em>Master<\/em> output VCA fader should generally be left at unity (0dB) and never touched.\u00a0<\/p>\n\n\n\n<p><strong>Logic\u2019s <em>Stereo Output<\/em><\/strong> level control is the volume control for a specific output pair from your interface, like Out 1-2. Leave this output channel strip at unity as well. Adjustments to the full mix are better made on a user-created master bus, or mix bus aux channel strip that comes before the stereo output in Logic\u2019s signal flow. Logic\u2019s <em>Stereo Output<\/em> control is often used as a master volume control, but it may also affect the level of your bounced mix, so be careful about moving Logic\u2019s <em>Stereo Output<\/em> from unity.\u00a0<\/p>\n\n\n\n<p><strong>Here\u2019s how to create custom master faders and mix busses:<\/strong><\/p>\n\n\n\n<ul><li>Open the floating Mixer window by pressing Command + 2<\/li><li>Swipe across all the Channel Strips in your project to select them all.&nbsp;<\/li><li>Click in the Output field and select an unused bus.<\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/blog-uploads.imgix.net\/2020\/10\/01A-Output-Fields-1-1000x694.jpg?auto=compress%2Cformat\" alt=\"\" class=\"wp-image-6396\" width=\"750\" height=\"521\" srcset=\"https:\/\/blog-uploads.imgix.net\/2020\/10\/01A-Output-Fields-1-1000x694.jpg?auto=compress%2Cformat&amp;w=1000 1000w, https:\/\/blog-uploads.imgix.net\/2020\/10\/01A-Output-Fields-1-400x277.jpg?auto=compress%2Cformat&amp;w=400 400w, https:\/\/blog-uploads.imgix.net\/2020\/10\/01A-Output-Fields-1-768x533.jpg?auto=compress%2Cformat&amp;w=768 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/figure><\/div>\n\n\n\n<ul><li>A new Aux Channel Strip is automatically created. The chosen Bus is automatically set as the input. The output is automatically routed to the Stereo output.<\/li><li>Select and rename the automatically created Aux Channel Strip to something appropriate, like \u201cMix Bus.\u201d&nbsp;<\/li><li>The output from all your tracks now arrives here, before continuing the pathway to the Stereo Output.&nbsp;<\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/blog-uploads.imgix.net\/2020\/10\/01B-Mix-Bus-845x750.jpg?auto=compress%2Cformat\" alt=\"\" class=\"wp-image-6397\" width=\"634\" height=\"563\" srcset=\"https:\/\/blog-uploads.imgix.net\/2020\/10\/01B-Mix-Bus-845x750.jpg?auto=compress%2Cformat&amp;w=845 845w, https:\/\/blog-uploads.imgix.net\/2020\/10\/01B-Mix-Bus-338x300.jpg?auto=compress%2Cformat&amp;w=338 338w, https:\/\/blog-uploads.imgix.net\/2020\/10\/01B-Mix-Bus-768x681.jpg?auto=compress%2Cformat&amp;w=768 768w, https:\/\/blog-uploads.imgix.net\/2020\/10\/01B-Mix-Bus.jpg?auto=compress%2Cformat&amp;w=1648 1648w\" sizes=\"(max-width: 634px) 100vw, 634px\" \/><\/figure><\/div>\n\n\n\n<ul><li>To assign custom Bus pathway names: Open the I\/O Labels window from the mixer\u2019s View menu. Scroll to the Busses. Select the desired bus to be renamed, click in the \u201clong name\u201d field, and type your custom name.\u00a0<\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/blog-uploads.imgix.net\/2020\/10\/01C-IO-Labels-1-1000x448.jpg?auto=compress%2Cformat\" alt=\"\" class=\"wp-image-6398\" width=\"750\" height=\"336\" srcset=\"https:\/\/blog-uploads.imgix.net\/2020\/10\/01C-IO-Labels-1-1000x448.jpg?auto=compress%2Cformat&amp;w=1000 1000w, https:\/\/blog-uploads.imgix.net\/2020\/10\/01C-IO-Labels-1-400x179.jpg?auto=compress%2Cformat&amp;w=400 400w, https:\/\/blog-uploads.imgix.net\/2020\/10\/01C-IO-Labels-1-768x344.jpg?auto=compress%2Cformat&amp;w=768 768w, https:\/\/blog-uploads.imgix.net\/2020\/10\/01C-IO-Labels-1.jpg?auto=compress%2Cformat&amp;w=1886 1886w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/figure><\/div>\n\n\n\n<h2>Creating Subgroups<\/h2>\n\n\n\n<p>As mentioned in our longer blog post, <strong>subgroups<\/strong> can be used to process one type of instrument, like drums, or a group of similar instruments, like low-frequency sounds. Subgroups ultimately wind up bussed to the MIX bus.<\/p>\n\n\n\n<ul><li>In the Mixer window, select the Channel Strips to be included in the new subgroup.\u00a0<\/li><li>Click in the Output field, and select an unused Bus.<\/li><li>A new Aux Channel Strip is automatically created and placed at the right end of the Mixer. The Bus is automatically set to the correct input and the Aux output is automatically routed to the Stereo output.\u00a0<\/li><li>If you created a Mix Bus (see above), set the output of the new Aux Channel Strip to the Mix Bus and<\/li><li>Name the newly created Aux Channel Strip accordingly.<\/li><\/ul>\n\n\n\n<h3>Using Track Stacks to create subgroups:<\/h3>\n\n\n\n<ul><li>Select the channel strips to be included in the new subgroup. Press <em>Command + Shift + D<\/em> to put them into a <strong>Track Stack<\/strong> and then choose <em>Summing Stack<\/em>. A <em>Track Stack <\/em>is automatically created. The sub tracks contained within automatically have their output fields routed to an unused bus. This bus is automatically set as the input of the<em> Stack Master<\/em> channel strip, which acts as a subgroup for all the sub-tracks within the <em>Track Stack<\/em>. It is then necessary to route the output of the <em>Track Stack<\/em> master track to your mix bus.<\/li><\/ul>\n\n\n\n<h2>Customizing the Placement of Sub Groups in the Mixer<\/h2>\n\n\n\n<p>Navigating a complicated session can be simplified by <strong>arranging your audio tracks,<\/strong> busses, and masters in a way that makes sense for your workflow.&nbsp;<\/p>\n\n\n\n<p><strong>Here is how to re-order faders in Logic.<\/strong><\/p>\n\n\n\n<ul><li>Select the subgroup aux track in the <em>Mixer<\/em> window, and do <em>one<\/em> of the following:&nbsp;<ul><li>Press<em> Control + T<\/em> (Create Track shortcut)<\/li><li>Right-click on the channel strip and select \u201cCreate Track.\u201d<\/li><li>Click in the automation field and select any automation mode.&nbsp;<\/li><\/ul><\/li><li>The Aux channel strip is now visible in the <em>Tracks<\/em> Area. Select it there, and drag it to the desired location. The <em>Mixer<\/em> display will update to reflect the new position in the <em>Tracks<\/em> area.<\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" width=\"767\" height=\"750\" src=\"https:\/\/blog-uploads.imgix.net\/2020\/10\/04-Parallel-Sub-Group-767x750.jpg?auto=compress%2Cformat\" alt=\"\" class=\"wp-image-6399\" srcset=\"https:\/\/blog-uploads.imgix.net\/2020\/10\/04-Parallel-Sub-Group-767x750.jpg?auto=compress%2Cformat&amp;w=767 767w, https:\/\/blog-uploads.imgix.net\/2020\/10\/04-Parallel-Sub-Group-307x300.jpg?auto=compress%2Cformat&amp;w=307 307w, https:\/\/blog-uploads.imgix.net\/2020\/10\/04-Parallel-Sub-Group-768x751.jpg?auto=compress%2Cformat&amp;w=768 768w, https:\/\/blog-uploads.imgix.net\/2020\/10\/04-Parallel-Sub-Group.jpg?auto=compress%2Cformat&amp;w=1330 1330w\" sizes=\"(max-width: 767px) 100vw, 767px\" \/><figcaption>Here we see the guitar tracks sent to a guitar submaster. The submaster has been placed next to the guitar tracks for optimum organization. Also, shown here is a parallel subgroup for the guitars, as described below.<\/figcaption><\/figure><\/div>\n\n\n\n<h2>Creating Parallel Subgroups<\/h2>\n\n\n\n<p>We often use<strong> parallel mix subgroups<\/strong> to transparently enhance an aspect of an instrumental group. We can accentuate the transients of a drum group or add some harmonic saturation to a synth subgroup, all while maintaining the character of the original signal.<\/p>\n\n\n\n<ul><li>In the <em>Mixer<\/em> window, do <em>one<\/em> of the following:&nbsp;<ul><li>From the <em>View<\/em> menu select \u201cCreate New Auxiliary Channel Strip.\u201d<\/li><li>Press <em>Control + N<\/em><\/li><\/ul><\/li><li>A new Aux channel strip is automatically created and added at the right end of the<em> Mixer.<\/em>&nbsp;<\/li><li>Assign the <em>Input <\/em>of the new Aux channel strip to the same Bus path used for the main subgroup. The drums, for instance, will be routed to two (parallel) Aux channels.<\/li><\/ul>\n\n\n\n<ul><li>Name the new Aux channel strip accordingly to indicate that it is a parallel for the specific subgroup Aux. I would name my drum subgroup \u201cDrum M\u201d and the parallel group \u201cDrum LL.\u201d&nbsp;<\/li><li>Assign the Output of the parallel Aux Channel to the same output as the main subgroup Aux, typically the Mix Bus.<\/li><\/ul>\n\n\n\n<h3>Getting the Most from Your Mix Setup<\/h3>\n\n\n\n<p>Take advantage of Logic\u2019s routing and bussing options to<strong> create a mixing architecture<\/strong> that provides creative options and an efficient workflow. For more ideas on how to use mix busses be sure to review our blog post <em>\u201c<\/em><a href=\"https:\/\/www.sonarworks.com\/soundid-reference\/blog\/learn\/take-advantage-of-busses-and-subgroups-for-great-sounding-mixes\/\"><em>Take Advantage of Busses and Subgroups for Great Sound Mixes<\/em><\/a><em>.\u201d<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong><br>What is a VCA fader?<\/strong><\/p>\n\n\n\n<p>A VCA fader, named for \u201cvoltage-controlled amplifier\u201d on analog mixers, is effectively a <em>remote control<\/em> for other channels in your mix. VCA faders are used to simplify adjusting large groups of faders. For instance, you could create a Drum VCA fader that adjusts all of your drum tracks with a single fader. Once you\u2019ve set your drum balance, this VCA allows you to adjust the overall loudness of all the drum tracks without changing the internal balance of the drum faders.<\/p>\n\n\n\n<p>A VCA fader does not process or handle any audio, as an aux or master fader does. Therefore, there are no inserts or sends on a VCA fader, only level, solo, mute, and automation controls. Remember, the VCA fader is only a <em>remote control <\/em>for other faders.<\/p>\n\n\n\n<p>Some mixers find VCA fader extremely useful, while other mixers never use VCA faders. Try using VCA faders in your projects to see if they fit into your way of thinking and workflow.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In our article \u201cTake Advantage of Busses and Subgroups for Great Sound Mixes,\u201d we cover the applications for mix and aux busses and how to create them in Pro Tools. Here you\u2019ll learn how to apply the same techniques in Logic Pro X. Creating Master Faders and Mix Busses A master fader processes the entire&hellip;<\/p>\n","protected":false},"author":9,"featured_media":6400,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_improvement_type_select":"improve_an_existing","_thumb_yes_seoaic":false,"_frame_yes_seoaic":false,"seoaic_generate_description":"","seoaic_improve_instructions_prompt":"","seoaic_rollback_content_improvement":"","seoaic_idea_thumbnail_generator":"","thumbnail_generated":false,"thumbnail_generate_prompt":"","seoaic_article_description":"","inline_featured_image":false,"seoaic_article_subtitles":[]},"categories":[81],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.11 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Logic Audio: Creative Mixing with Subgroups and Masters - Sonarworks Blog<\/title>\n<meta name=\"description\" content=\"In this article we cover Logic Pro X\u2019s routing and bussing options to create a mixing architecture that provides creative options and an efficient workflow\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sonarworks.com\/blog\/learn\/logic-audio-creative-mixing-with-subgroups-and-masters\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Logic Audio: Creative Mixing with Subgroups and Masters - 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