Cameron Craig is the sort of seasoned pro you just want to soak up experience from. A Grammy Award-winning producer, mixer and engineer, his credits read like a \u2018who\u2019s who\u2019 of the last 30 years of the music industry \u2013 Adele, Annie Lennox, U.N.K.L.E, Grace Jones, Bjork, Tina Turner, Paulo Nutini, Amy Winehouse, Suzanne Vega and Sia, to name but a few.<\/p>\n\n\n\n
He\u2019s worked everywhere from the tiniest of rooms to the largest of commercial studios; from dressing rooms backstage to spontaneous jams in artists\u2019 houses. A real talent, he can usually judge just walking into a session what mic will suit what voice, and prefers to \u2018fix things in the mic\u2019 upfront rather than have to engineer it all later. We chatted to him about his work, and how even at the top of his game Sonarworks has \u2018come to his rescue\u2019, converting him to headphones and transforming his monitoring.<\/p>\n\n\n\n
It\u2019s all about being in the right environment, the right mood to get a performance.<\/p><\/blockquote>\n\n\n\n
An Aussie native, Craig cut his teeth playing in bands at school before landing a job in a Melbourne studio where he picked up some training and went freelance at a very young age and getting a nomination for ARIA Engineer of the Year in 1995. Feeling that if he was going to advance any further he\u2019d have to do something drastic and doing it on a high would help so he moved to England in 1996, starting all over again making a name for himself in a new country. \u201cThere was a lot of soul-searching and looking back when I moved to England; it was very hard. I had about a year of not working, trying to get a foot in the door; it was very much starting over. Anything I\u2019d done of any value in Australia (where I\u2019d been involved in many multi-platinum\/platinum albums) people didn\u2019t know of here. I was asked \u2018who have you worked with?\u2019 and as I hadn\u2019t worked with predictable Australian names: Kylie, Nick Cave or INXS that was pretty much end of the conversation! That was a very weird time for me.\u201d<\/p>\n\n\n\n
He eventually started working at boutique studios like Chiswick Reach and 2kHz, \u201crelearning everything I knew\u201d and meeting like-minded people through whom he found work across the musical genres and set off forming the impressive resume he boasts today.<\/p>\n\n\n\n
Craig\u2019s approach is very much to try to \u2019fix things in the mic\u2019 \u2013 \u201cI record things as I want to hear them finished, get it right at the source. We did that for the concert footage on the Grace Jones film Bloodlight and Bami recorded live in Dublin. The balance that\u2019s on the film is pretty much unchanged from the balance I did on the laptop in the dressing room after the show. We\u2019d been working with Grace for a long time, working with MD\/Producer Ivor Guest we got the arrangements of the songs and source sounds right, it made the technical side just work so much easier.\u201d
It\u2019s all about being in the right environment, the right mood to get a performance. Grace is such a stage performer, if you sit down in the studio and tell her \u2018we\u2019re going to do this vocal tonight and you need to be fantastic\u2019, that just won\u2019t happen. Sophie Fiennes who was making the film of Grace around the making of the Hurricane album said they were coming round to film and get some vocals shots so we got set up and because the camera was there, Grace was on form, we managed to get three vocals that made it onto the Hurricane album \u2013 even the vocals for the track Hurricane were actually done while we were tracking! A lot of artists I\u2019ve worked with over the last 10 or 15 years work like that \u2013 U.N.K.L.E, Grace Jones \u2013 they essentially go in with an idea and a 15-minute jam turns into a song.\u201d<\/p>\n\n\n\nI\u2019ll try the Sonarworks to see how that works, I put that on and just thought \u2018Oh wow, this is great!\u2019 Now I can\u2019t listen to my headphones any more without it \u2013 you\u2019ve ruined my headphones!\u201d<\/p><\/blockquote>\n\n\n\n
Authentic performance is far more important to Craig than throwing a lot of tech at artists \u2018just in case\u2019. \u201cI\u2019m pretty good at judging these days from someone\u2019s voice what a mic will sound like. Occasionally I\u2019ll get it wrong and we\u2019ll have to swap a mic, but 9 times out of 10 I\u2019ll get the right combination of the right mic for the right voice. I wasn\u2019t always like that; it\u2019s down to experience: it\u2019s taken a while to build up a library of sonic memories.\u201d<\/p>\n\n\n\n
Craig first heard about Sonarworks when experimenting with how to solve a little niggle in his current room: \u201cWe have a little bit of a bottom-end issue; it irked me at first but I\u2019ve got used to it and know how to deal with it, but gradually I thought maybe I should look at some of these correction programmes and see what\u2019s happening there.\u201d But his real \u2018Eureka moment\u2019 came when a client insisted he listen to their album tracking on headphones: \u201cThe album I\u2019m mixing at the moment, the client is listening to it a lot on headphones; I\u2019ve never really mixed on headphones before (I don\u2019t really like them!) but I went out and bought some which seemed nice and comfortable and sounded quite pleasing. I put them on to listen to this thing, and then thought I\u2019ll try the Sonarworks to see how that works, I put that on and just thought \u2018Oh wow, this is great!\u2019 Now I can\u2019t listen to my headphones any more without it \u2013 you\u2019ve ruined my headphones!\u201d<\/p>\n\n\n\n
An issue with the acoustic guitar sound on one track in particular made Craig realise how valuable listening on headphones could be: \u201cThere was an issue with one of the guitar bits on one of the songs early on, some weird little thing, some click throwing it off; and I just couldn\u2019t hear it on speakers. But listen on headphones and the whole thing span out of whack for a second, it was really obvious on headphones. I thought \u2018Wow, maybe I need to work on headphones a little bit more!\u2019 Sonarworks has really come to the rescue on this; it makes working on headphones viable.\u201d<\/p>\n\n\n\n
He\u2019s found Sonarworks has transformed the approval rate from clients, with artists often approving the very first version of a track rather than needing three or four tweaks. \u201cI tried mixing a few things with Sonarworks on my speakers; did a couple of mixes for my current project, and with both mixes version one came back from the client with \u2018yeah great\u2019. Rather than version three or four! So I thought \u2018there must be something in this then\u2026\u2019 And I\u2019ve been using it ever since!\u201d In a world of increasingly tight deadlines and limited budgets, getting approval on first mix is gold dust: \u201cThe more accurate the monitoring the quicker I can get the song mixed and approved.\u201d<\/p>\n\n\n\n
And unlike some new users, Craig was not thrown by the software producing a very different sound to that he was used to: \u201cI\u2019m used to quite varied environments so it didn\u2019t take too long to adjust; you do get what you think is right balance then when you put Sonarworks on you think \u2018Urgh that is weird\u2019, but then you just rebalance with it in place and all of a sudden everything makes sense.\u201d<\/p>\n\n\n\n
With his years of ingrained experience, Craig admits he sympathises with stubborn engineers who shy away from tech like Sonarworks, saying they know their room and their speakers, and don\u2019t need any extra fixes \u2013 \u201cI was one of them! I thought \u2018I know my room and I work around any issues, I don\u2019t need headphones!\u201d But he\u2019s the first now to try and talk them round, extolling the virtues of the packages. \u201cYou might already be making good records, but I think with Sonarworks that can happen a lot quicker\u201d.<\/p>\n\n\n\n
\u201cI tried mixing a few things with Sonarworks on my speakers; did a couple of mixes for my current project, and with both mixes version one came back from the client with \u2018yeah great\u2019. Rather than version three or four! So I thought \u2018there must be something in this then\u2026\u2019 And I\u2019ve been using it ever since!\u201d<\/em><\/p><\/blockquote>\n\n\n\n
Quite the compliment from someone who has had his share of \u2018good records\u2019 \u2013 we think the \u2018ruining\u2019 of his headphones has been forgiven\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"
Cameron Craig is the sort of seasoned pro you just want to soak up experience from. A Grammy Award-winning producer, mixer and engineer, his credits read like a \u2018who\u2019s who\u2019 of the last 30 years of the music industry \u2013 Adele, Annie Lennox, U.N.K.L.E, Grace Jones, Bjork, Tina Turner, Paulo Nutini, Amy Winehouse, Suzanne Vega…<\/p>\n","protected":false},"author":2,"featured_media":2788,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_improvement_type_select":"improve_an_existing","_thumb_yes_seoaic":false,"_frame_yes_seoaic":false,"seoaic_generate_description":"","seoaic_improve_instructions_prompt":"","seoaic_rollback_content_improvement":"","seoaic_idea_thumbnail_generator":"","thumbnail_generated":false,"thumbnail_generate_prompt":"","seoaic_article_description":"","inline_featured_image":false,"seoaic_article_subtitles":[]},"categories":[82],"tags":[],"acf":[],"yoast_head":"\n
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A Grammy Award-winning producer, mixer and engineer, his credits read like a \u2018who\u2019s who\u2019 of the last 30 years of the music industry \u2013 Adele, Annie Lennox, U.N.K.L.E, Grace Jones, Bjork, Tina Turner, Paulo Nutini, Amy Winehouse, Suzanne Vega…\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sonarworks.com\/blog\/studio-stories\/cameron_craig_sonarworks\" \/>\n<meta property=\"og:site_name\" content=\"Sonarworks Blog\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SoundIDCreate\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-05T12:36:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-20T14:37:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blog-uploads.imgix.net\/2019\/05\/craig-e1558352261106.png?auto=compress%2Cformat\" \/>\n\t<meta property=\"og:image:width\" content=\"823\" \/>\n\t<meta property=\"og:image:height\" content=\"609\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Rudi\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@soundidcreate\" \/>\n<meta name=\"twitter:site\" content=\"@soundidcreate\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rudi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.sonarworks.com\/blog\/studio-stories\/cameron_craig_sonarworks#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.sonarworks.com\/blog\/studio-stories\/cameron_craig_sonarworks\"},\"author\":{\"name\":\"Rudi\",\"@id\":\"https:\/\/www.sonarworks.com\/blog\/#\/schema\/person\/3e7cb00a86ee5bab33850d20e1cd6943\"},\"headline\":\"Cameron Craig \u2013 Sonarworks \u2018ruined my headphones!\u2019\",\"datePublished\":\"2018-03-05T12:36:01+00:00\",\"dateModified\":\"2019-05-20T14:37:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.sonarworks.com\/blog\/studio-stories\/cameron_craig_sonarworks\"},\"wordCount\":1473,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.sonarworks.com\/blog\/#organization\"},\"articleSection\":[\"Studio Stories\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.sonarworks.com\/blog\/studio-stories\/cameron_craig_sonarworks#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.sonarworks.com\/blog\/studio-stories\/cameron_craig_sonarworks\",\"url\":\"https:\/\/www.sonarworks.com\/blog\/studio-stories\/cameron_craig_sonarworks\",\"name\":\"Cameron Craig \u2013 Sonarworks \u2018ruined my headphones!\u2019 - 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