{"version":"1.0","provider_name":"Sonarworks Blog","provider_url":"https:\/\/www.sonarworks.com\/blog","author_name":"Tiki Horea","author_url":"https:\/\/www.sonarworks.com\/blog\/author\/tiki-horea","title":"Fixing Noises in Mixes and Masters, Part II - Sonarworks Blog","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"DDNuzvmU27\"><a href=\"https:\/\/www.sonarworks.com\/blog\/learn\/fixing-noises-in-mixes-and-masters-part-ii\">Fixing Noises in Mixes and Masters, Part II<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.sonarworks.com\/blog\/learn\/fixing-noises-in-mixes-and-masters-part-ii\/embed#?secret=DDNuzvmU27\" width=\"600\" height=\"338\" title=\"&#8220;Fixing Noises in Mixes and Masters, Part II&#8221; &#8212; Sonarworks Blog\" data-secret=\"DDNuzvmU27\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.sonarworks.com\/blog\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/blog-uploads.nyc3.digitaloceanspaces.com\/2019\/09\/de-noise-1-cover.jpg","thumbnail_width":1200,"thumbnail_height":900,"description":"Part I of this article focused on repairing continuous type noises and this second part addresses how to repair intermittent type noises, like clicks, pops, digital clipping and dropouts. Remember to keep in mind that while this article discusses noises present in musical productions, many of the same problems and solutions apply to producing podcasts,&hellip;"}